the white stripes: under great white northern lights
mousybabe recommended this flick. can i just say that after watching it, i developed a huge crush on the creatively genius jack white? gosh, the reams of music footage from their 2007 canadian tour never bore whether it's jack thrashing violently on his guitar or singing a heartbreakingly beautiful version of "white moon" on the piano with meg beside him moved to tears. the relationship between jack and meg is a curious and touching thing to witness given their long history together. my favorite thing about meg? she's barely says a word, and everything she says is subtitled because she's so soft spoken! but the intense emotions she expresses during "white moon" belie a secret depth. "i'm quiet, what can i say?" meg says at one point in the film. at another point, jack's rejoinder to meg is: “quiet people—randy newman said short people got no reason to live. shit, he must have never met a quiet person.” ha. here's to quiet people!
the september issue: anna wintour and the making of vogueit was fascinating to get a glimpse into the inner workings of vogue led by editor anna wintour, arguably the most powerful figure in fashion. wintour's demanding and exacting personality, bony stick-like but impeccably dressed figure, and signature dark sunglasses and short bob present an intimidating persona. the film follows wintour and her staff for eight months as they put together the september 2007 issue, the largest issue in vogue's history. the film conveys the art, creativity, risk and decisiveness that go into producing the fashion industry's monthly book of trends. but i think the most interesting parts of the film hint at how wintour's amazing influence and power and cool personality possibly mask subtle feelings of insecurity about her life, profession and industry. the first line of the film opens with wintour defending fashion and the fashion industry, and this theme recurs with even wintour's young daughter, who hopes to become a lawyer, expressing a bit of amusement at her mother's life work--perhaps the triviality of fashion in the greater scheme of things. but i think the film's simultaneous focus on grace coddington, vogue's creative director, points to the beauty and creativity in the field--something that surely should be celebrated. i loved how coddington, widely acknowledged as the greatest modern fashion stylist, showed true delight and pride in her beautifully styled photographs that filled almost the entirety of the september issue. the tension between wintour and coddington--business and art--throughout the film is a wonder to watch. take a peek at coddington's work here.
this emotional life, episode 1i've been a volatile ball of emotions lately, so this pbs series hit home for me. the three-part series explores emotions, what they mean, and how we do and don't deal with them. the first series focuses on relationships between family, friends and significant others. it's a mix of personal stories of conflict and hope, and insightful tidbits from well-respected researchers studying interpersonal relationships. it's interesting to me how relationships can be studied down to a science. it makes me wonder what parts are just left up to the intangible, the unexplainable and maybe the will of God ... and what parts can be managed and made better on our own. but i guess, if anything good comes from us, maybe it's really from God anyway. anyway, here are some little lessons that i learned from watching:
- the nature of your parent's care can shape how you see and experience the world, e.g. trust and happiness
- loneliness is actually a feeling akin to hunger and thirst, and it's detrimental to our health and well being to be without relationships
- people try really hard to change themselves and accommodate others, but sometimes what's needed is just to listen to yourself and voice your own needs
- move toward conflict and not away from it, otherwise it seethes
- it is in conflict that we capture valuable differences in perspectives
- falling in love is easy, but staying in love takes work
- a powerful indicator of being able to maintain a relationship is the ability to convey care, understanding, validation, affection and humor even when dealing with conflict
- sex is a much bigger investment for women (as childbearers) than men, which cause men and women to seek different things in relationships
- two things that make relationships work are capitalization--getting excited about a partner's successes and building on them--and making life together exciting because couples who spend time together doing challenging things associate those feelings with their relationship
- you can argue in a way that brings you together or pushes you apart
- emotions are never right or wrong, they're always the truth from the perspective of the person feeling the emotion
- sometimes you can't change the other person, so you can only focus on changing yourself
